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Tezcatlipoca
Tezcatlipoca

Other Names

Tezcatl Ipoca, Black Tezcatlipoca, Ometeteosij

First Appearance

Aztec Myth

Created by

Aztec Myth

Origin[]

Tepeyollotl 1

Tezcatlipoca depicted in the Codex Rios in the aspect of a Jaguar—in this form he was called Tepeyollotl.

Tezcatlipoca or Tezcatl Ipoca was a central deity in Aztec religion. He is associated with a variety of concepts, including the night sky, hurricanes, obsidian, and conflict. He was considered one of the four sons of Ometecuhtli and Omecihuatl, the primordial dual deity. His main festival was Toxcatl, which, like most religious festivals of Aztec culture, involved human sacrifice.

Tezcatlipoca's nagual, his animal counterpart, was the jaguar. In the form of a jaguar he became the deity Tepeyollotl ("Mountainheart"). In one of the two main Aztec calendars (the Tonalpohualli), Tezcatlipoca ruled the trecena 1 Ocelotl ("1 Jaguar"); he was also patron of the days with the name Acatl ("reed"). A strong connection with the calendar as a whole is suggested by his depiction in texts such as the Codex Borgia and Codex Fejéváry-Mayer, where Tezcatlipoca is surrounded by day signs, implying a sort of mastery over them.

A talisman related to Tezcatlipoca was a disc worn as a chest pectoral, called the anahuatl. This talisman was carved out of abalone shell and depicted on the chest of both Huitzilopochtli and Tezcatlipoca in codex illustrations.

The origins of Tezcatlipoca can be traced to earlier Mesoamerican deities worshipped by the Olmec and Maya. Similarities exist between Tezcatlipoca and the patron deity of the K'iche' Maya, Tohil, as described in the Popol Vuh. The name Tohil refers to obsidian and he was associated with sacrifice. The Classic Maya god of rulership and thunder, K'awiil (known to modern Mayanists as "God K", or the "Manikin Scepter"), was depicted with a smoking obsidian knife in his forehead and one leg replaced with a snake. Although there are striking similarities between possible earlier imagery of Tezcatlipoca, archaeologists and art historians are split in the debate. It is possible that he is the same god that the Olmec and Maya term their "jaguar deity", or alternately that he is an Aztec expansion on foundations set by the Olmec and Maya, as the Aztecs routinely took deliberate inspiration from earlier Mesoamerican cultures.

Tezcatlipoca was often described as a rival of another important god of the Aztecs: the culture hero, Quetzalcoatl. In one version of the Aztec creation account the myth of the Five Suns, the first creation, "The Sun of the Earth" was ruled by Tezcatlipoca but destroyed by Quetzalcoatl when he struck down Tezcatlipoca who then transformed into a jaguar. Quetzalcoatl became the ruler of the subsequent creation "Sun of Water", and Tezcatlipoca destroyed the third creation "The Sun of Wind" by striking down Quetzalcoatl.

In later myths, the four gods who created the world, Tezcatlipoca, Quetzalcoatl, Huitzilopochtli and Xipe Totec were referred to respectively as the Black, the White, the Blue and the Red Tezcatlipoca. The four Tezcatlipocas were the sons of Ometecuhtli and Omecihuatl, lady and lord of the duality, and were the creators of all the other gods, as well as the world and all humanity.

The rivalry between Quetzalcoatl and Tezcatlipoca is also recounted in the legends of Tollan, wherein Tezcatlipoca deceives Quetzalcoatl,ruler of the legendary city, and forces him into exile. Quetzalcoatl and Tezcatlipoca both collaborated in the different creations and that both were seen as instrumental in the creation of life. A large and detailed depiction of Tezcatlipoca appears in the Codex Borgia carrying the 20 day signs of the calendar; in the Codex Cospi he is shown as a spirit of darkness, as well as in the Codex Laud and the Dresden Codex.

In one of the Aztec accounts of creation, Quetzalcoatl and Tezcatlipoca joined forces to create the world. Before their act there was only the sea and the primordial, crocodilian earth monster called Cipactli. To attract her, Tezcatlipoca used his foot as bait for Cipactli, and she, in turn, ate it. The two gods then captured her, and distorted her to make the land from her body. After that, they created the people, and people had to offer sacrifices to comfort Cipactli for her sufferings. Because of this, Tezcatlipoca is depicted with a missing foot.

Following this, Tezcatlipoca turned himself into the sun. As a result of his transformation, this and all subsequent ages of humanity were referred to as the five suns. Quetzalcoatl was furious, so he knocked Tezcatlipoca out of the sky with a stone club. Angered, Tezcatlipoca turned into a jaguar and destroyed the world. Quetzalcoatl, then, replaced him as the sun and started the second age of the world, and it became populated again.

Tezcatlipoca overthrew Quetzalcoatl, forcing him to send a great wind that devastated the world, and the people who survived were turned into monkeys. Tlaloc, the god of rain, then became the sun. But he had his wife stolen away by Tezcatlipoca. Angered in turn, he would not make it rain for several years until, in a fit of rage, he made it rain fire. The few people who survived the assault turned into the birds. Chalchiuhtlicue the Water Goddess then became the sun. However, she was crushed by Tezcatlipoca's accusation that she only pretended to be kind. She cried for many years and the world was destroyed by the resulting floods. Those who survived the deluge were turned into fish.

Public Domain Appearances[]

All published appearances of Tezcatlipoca before January 1, 1929 are public domain.

Some Notable Appearances are listed below:

Public Domain Literary Appearances[]

  • Codex Borgia
  • Codex Fejéváry-Mayer
  • Codex Cospi
  • Codex Laud
  • Dresden Codex

Notes[]

  • The Pokémon Landorus introduced in Pokémon Black and White, is partly inspired by Tezcatlipoca.
  • The Final Fantasy Franchise's weapon and enemy Tezcatlipoca, was named after the Aztec God.

See Also[]

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